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Flickering at the intersection of techno-psychedelia and psycho-science, Conductant takes the form of a kind of phenomenological response test whose rules remain as mysterious as the forms emerging on the screen. Conductant is an inquiry into the uses of form, and our instinct for pattern-making, in the arts as in every part of life. By drawing on sources from architecture, the medical-industrial complex, and classical experimental film technique, Conductant proposes a world of paranoid cinema-euphoria in which even blankness carries a meaning that is always just beyond comprehension.
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